"Some Animals Are More Equal Than Others"

October 9, 2014

4:00PM - 5:30PM

Wexner Center for the Arts Film/Video Theater

Add to Calendar 2014-10-09 16:00:00 2014-10-09 17:30:00 "Some Animals Are More Equal Than Others" Sue Coe. 1992. Photograph by Steve Heller. Courtesy Galerie St. Etienne, New York. Sue Coe is considered one of the foremost political artists working today. Born in England in 1951, she moved to New York in the early 1970’s. In the years that followed, she was featured on the cover of Art News and in numerous museum collections and exhibitions, including a retrospective at the Hirshhorn Museum in Washington. A firm believer in the power of the media to effect change, Coe has seen her work published in The New York Times, the New Yorker, Rolling Stone and countless other periodicals. Similarly, Coe sees printmaking as a way to reach a broad audience. Accessible and affordable, Sue Coe’s etchings, lithographs and woodcuts have become extremely popular.While Ms. Coe’s work covers a variety of subjects, she has spent years documenting the atrocities committed by people against animals and continues to generate both prints and art on that subject. Her series of prints The Tragedy of War examines the atrocities that humans commit against one another, specifically revealed by the horrors of war. Recent projects include her publication Bully: Master of the Global Merry-Go-Round (2004), a scathing critique of the Bush administration, as well as the book Sheep of Fools… a song cycle for 5 voices, which gives a broad history of sheep farming, highlighting the abuses of the animals for human gain.Ms. Coe’s 2010 exhibition at the Galerie St. Etienne, "ELEPHANTSWE MUST NEVER FORGET: New Paintings, Drawings and Prints by Sue Coe," will be published shortly. “MAD AS HELL!,” Sue Coe’s 2012 exhibition at the Galerie St. Etienne, featured new work by Ms. Coe concomitantly published in book form as Cruel, a continued, critical look at the Animal Industry that builds upon her groundbreaking 1996 book Dead Meat, published by O/R books in 2013. This past year, Sue Coe was awarded the prestigious Dickinson CollegeArts Award in Carlisle Pennsylvania.Other publications include How to Commit Suicide in South Africa (1983), X (1986), Police State (1987), Dead Meat (1996), and Pit’s Letter (2000), Bully! Master of the Global Merry-Go-Round (2004), Sheep of Fools…A Song Cycle for Five Voices (2005), The Ghosts of our Meat (2013).Public Humanities lecture series, co-sponsored with the Department of Arts Administration, Education, and Policy; and the Wexner Center for the Arts. Wexner Center for the Arts Film/Video Theater OSU ASC Drupal 8 ascwebservices@osu.edu America/New_York public

Add to Calendar 2014-10-09 16:00:00 2014-10-09 17:30:00 "Some Animals Are More Equal Than Others" Sue Coe. 1992. Photograph by Steve Heller. Courtesy Galerie St. Etienne, New York. Sue Coe is considered one of the foremost political artists working today. Born in England in 1951, she moved to New York in the early 1970’s. In the years that followed, she was featured on the cover of Art News and in numerous museum collections and exhibitions, including a retrospective at the Hirshhorn Museum in Washington. A firm believer in the power of the media to effect change, Coe has seen her work published in The New York Times, the New Yorker, Rolling Stone and countless other periodicals. Similarly, Coe sees printmaking as a way to reach a broad audience. Accessible and affordable, Sue Coe’s etchings, lithographs and woodcuts have become extremely popular.While Ms. Coe’s work covers a variety of subjects, she has spent years documenting the atrocities committed by people against animals and continues to generate both prints and art on that subject. Her series of prints The Tragedy of War examines the atrocities that humans commit against one another, specifically revealed by the horrors of war. Recent projects include her publication Bully: Master of the Global Merry-Go-Round (2004), a scathing critique of the Bush administration, as well as the book Sheep of Fools… a song cycle for 5 voices, which gives a broad history of sheep farming, highlighting the abuses of the animals for human gain.Ms. Coe’s 2010 exhibition at the Galerie St. Etienne, "ELEPHANTSWE MUST NEVER FORGET: New Paintings, Drawings and Prints by Sue Coe," will be published shortly. “MAD AS HELL!,” Sue Coe’s 2012 exhibition at the Galerie St. Etienne, featured new work by Ms. Coe concomitantly published in book form as Cruel, a continued, critical look at the Animal Industry that builds upon her groundbreaking 1996 book Dead Meat, published by O/R books in 2013. This past year, Sue Coe was awarded the prestigious Dickinson CollegeArts Award in Carlisle Pennsylvania.Other publications include How to Commit Suicide in South Africa (1983), X (1986), Police State (1987), Dead Meat (1996), and Pit’s Letter (2000), Bully! Master of the Global Merry-Go-Round (2004), Sheep of Fools…A Song Cycle for Five Voices (2005), The Ghosts of our Meat (2013).Public Humanities lecture series, co-sponsored with the Department of Arts Administration, Education, and Policy; and the Wexner Center for the Arts. Wexner Center for the Arts Film/Video Theater Humanities Institute huminst@osu.edu America/New_York public

Sue Coe. 1992. Photograph by Steve Heller.
Courtesy Galerie St. Etienne, New York.

Sue Coe is considered one of the foremost political artists working today. Born in England in 1951, she moved to New York in the early 1970’s. In the years that followed, she was featured on the cover of Art News and in numerous museum collections and exhibitions, including a retrospective at the Hirshhorn Museum in Washington. A firm believer in the power of the media to effect change, Coe has seen her work published in The New York Times, the New Yorker, Rolling Stone and countless other periodicals. Similarly, Coe sees printmaking as a way to reach a broad audience. Accessible and affordable, Sue Coe’s etchings, lithographs and woodcuts have become extremely popular.

While Ms. Coe’s work covers a variety of subjects, she has spent years documenting the atrocities committed by people against animals and continues to generate both prints and art on that subject. Her series of prints The Tragedy of War examines the atrocities that humans commit against one another, specifically revealed by the horrors of war. Recent projects include her publication Bully: Master of the Global Merry-Go-Round (2004), a scathing critique of the Bush administration, as well as the book Sheep of Fools… a song cycle for 5 voices, which gives a broad history of sheep farming, highlighting the abuses of the animals for human gain.

Ms. Coe’s 2010 exhibition at the Galerie St. Etienne, "ELEPHANTSWE MUST NEVER FORGET: New Paintings, Drawings and Prints by Sue Coe," will be published shortly. “MAD AS HELL!,” Sue Coe’s 2012 exhibition at the Galerie St. Etienne, featured new work by Ms. Coe concomitantly published in book form as Cruel, a continued, critical look at the Animal Industry that builds upon her groundbreaking 1996 book Dead Meat, published by O/R books in 2013. This past year, Sue Coe was awarded the prestigious Dickinson CollegeArts Award in Carlisle Pennsylvania.

Other publications include How to Commit Suicide in South Africa (1983), X (1986), Police State (1987), Dead Meat (1996), and Pit’s Letter (2000), Bully! Master of the Global Merry-Go-Round (2004), Sheep of Fools…A Song Cycle for Five Voices (2005), The Ghosts of our Meat (2013).

Public Humanities lecture series, co-sponsored with the Department of Arts Administration, Education, and Policy; and the Wexner Center for the Arts.